Acting

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Acting

Solving Your Problem Creatively And With Care

Transforming the role with reliable quality and a can-do attitude!

I’ve worked on enough productions to know what makes a great performance vs a mediocre attempt: the casting, the attitude, the genuine openness, skill and technique level maintained by the artist, the director’s crafting and the quality of the script.

Fortunately, I’ve worked on all of those – as the performer and the creative team.

Represented by Camilla Storey Management:

For contracts and publicity, please contact Camilla at camilla@csmagt.com / 02030518360

For television and film enquiries, please contact Richard Johnston at richard@csmagt.com / +447736716557

For general acting enquiries and casting, please contact Giulia Negretto at giulia@csmagt.com / +44 7739761420

For all other non-acting or direct contact enquiries, please contact Alex Ranahan at info@alexranahan.co.uk / +447794989921

Information
Comedy
General
CV

Company acting awards include:

Highest ratio of rebookings to pantomime shows – Hobgoblin 2018
Highest rated team – Actionwork 2017
Highest rated team – Actionwork 2016

I’m also:

Registered with Equity and have public liability insurance
Have a full, clean drivers licence
And I have an Enhanced DBS on the update service for a quick and easy check

As a Royal Birmingham Conservatoire trained actor with the Federation of Drama Schools quality assurance:

I have the creative imagination, versatility, stamina (emotionally, mentally and physically) and precision of technique to do the job and keep high standards and morale throughout the run or long shoot.
I will always bring everything I have to the role, the team and to the audience and relish being pushed to bring more to the table.
Your feedback will be put into practice immediately.
Lines learned, character choices offered but not set in stone, knowing what we as a company want to achieve and ready to put the work in to bring it – I am prepared.
I love getting stuck in and hands-on, whether that’s get-ins and outs, interacting with an audience or slumming it in a tent at a festival for 10 days and building the enclosure.